“Why do people have to be this lonely? What’s the point of it all? Millions of people in this world, all of them yearning, looking to others to satisfy them, yet isolating themselves. Why? Was the earth put here just to nourish human loneliness?”
ebook, 227 pages.
Read from December 13, 2019 to December 17, 2019.
You know when you feel like you’ve run out of books to read despite having many on your shelf in Kobo? When you’re just uninspired by the selection of books you currently have available to you? Talk about book nerd problems, hey? Thank goodness for libraries. I was on a trip with the family before Christmas and wasn’t impressed with what I had available to me on my Kobo. I had just finished A Chorus of Mushrooms and was in the mood for something by Murakami and my library delivered.
Sputnik Sweetheart is a story about unrequited love, loneliness, and friendship. K is in love with his college friend, Sumire. Sumire is a quirky, creative, dedicated, scattered and an ambitious writer who has never shown any interest in K outside of friendship. In fact, she often bemoans feeling asexual and having never understood the point to sex having never ever felt aroused. The two of them are close however and call on each other often, even in the late hours of the evening. They have an understanding and trust that makes their bond close. Sumire has given herself a set amount of time to create and become the writer that she wants to be but is struggling. During this time she meets an older woman named Miu. Miu is polished, beautiful, and well put-together and Sumire is instantly drawn to her. When Miu offers her a part-time job Sumire accepts it. Sumire quickly comes to understand what it means to sexually desire someone with Miu. Sumire starts to dress nicer and keep a better routine as well as accompany Miu on her business trips. Sumire keeps in touch with K and is honest with him about how he feels for Miu, though nothing has ever happened between them, yet. When Sumire accompanies Miu to Greece and suddenly goes missing, K is the first person that Miu contacts to help find their missing friend.
This book is consistent with Murakami’s meditative style with a slight detective twist. I really loved and admired Sumire’s character and felt that she was different than the majority of the other female characters that Murakami portrays. For the first time, the woman in the story was not fully sexually active with the main male character and was definitely more dynamically portrayed. While K was technically the main narrator the book was really more about Sumire and her ambitions and desires and I loved that, would love to see more of that in Murakami’s works, actually. While I find the ending a bit puzzling it is still none the less beautiful and consistent with what I love about Murakami and his writing style.
“I mutter and mutter and no one to listen. I speak my words in Japanese and my daughter will not hear them. The words that come from our ears, our mouths, they collide in the space between us.”
Paperback, 268 pages.
Read from December 9, 2019 to December 12, 2019.
A Chorus of Mushrooms is what I would describe as “my kind of book”. It’s the type of book that details lives and scenarios that I know nothing about, with poetic, imaginative, and dream-like writing, and with words that are in partial or full in translation. There must be something about this ‘poetical otherness’ that I’m completely obsessed with. Another draw for me in this book is that the town the majority of the book is set in, Nanton, is a town I visited as a kid over many summers. The book also spends time in Calgary, a city I lived in for many years.
A Chorus of Mushrooms details the lives of three different generations of Japanese-Canadians on the matriarchal side and was first published in 1993. The family lives on a mushroom farm in Nanton, Alberta, Canada. The grandmother, Naoe, is very old and requires the care of her daughter, Keiko, and granddaughter, Muriel or Murasaki, as Naoe calls her. The first person narrative switches between Naoe and Murasaki and drifts between different points of time. Naoe knows English but refuses to speak it as her Keiko has abandoned her heritage and culture in order to try and assimilate into their home in Canada. Naoe may no longer be close to Keiko but they still care for each other in their own way. Naoe had a very different life in Japan and thing have not always been easy for her and she is frustrated because she feels she has no one to communicate with that deeply understands her. Despite her age, Naoe decides one day to leave her home in Nanton and in the middle of winter. From there, the story takes a different turn with Naoe making the reader wonder what’s real or the wishful imaginings of the author. Murasaki was always extremely fond of her grandmother and recounts her childhood and all the Japanese myths her grandmother used to tell her. After Naoe leaves, Murasaki attempts to fill the emptiness of her grandmother’s presence as well as a piece of her identity that has been kept from her by Keiko by attempting to reconnect with her heritage.
This beautiful book won numerous awards when it was first published and it’s easy to see why. The book will always continue to relevant as it speaks to anyone looking for their own identities or to anyone who has ever had to establish themselves in another country. Further, A Chorus of Mushrooms is partially autobiographical as Hiromi Goto moved to a mushroom farm in Nanton when she was a toddler and her grandmother used to tell her stories growing up too which I’m sure contributed to the intimate and personal feel of this story. The story itself is simple, elegant, and delicately told with sentences of untranslated Japanese, along with being fiercely feminine and sexually empowering.
I loved this book. Really loved it, as I read most of it in one sitting. It’s the kind of book that feels like a comfortable blanket that I’d want to crawl back into again. I would highly recommend this book to literary-fiction lovers, Murakami-lovers, or for those who are looking for something a little different but not too challenging that will still keep you engaged and captivated.
“Grief is different. Grief has no distance. Grief comes in waves, paroxysms, sudden apprehensions that weaken the knees and blind the eyes and obliterate the dailiness of life.”
ebook, 334 pages.
Read from November 26, 2019 to December 4, 2019.
This is the second book I decided to read on grief, not really for myself but with the aims that I would recommend it to a loved one dealing with their own grief. This book has been touted as one of the best books on grief, specifically about spousal grief, of which I hope I never have to experience soon. The first book I picked up on spousal grief was Loon Litt Woon’s The Way Through the Woods: Of Mushrooms and Mourning which ended up being one of my favourite books of 2019. While I didn’t read either of these books for me, they both gave me something invaluable and have helped, even if a little, with my own grief.
Joan and her husband John are experiencing a very difficult time. It’s shortly after Christmas and their only daughter Quintana has fallen deathly ill, from what at first appeared to be the common flu but later turned into septic shock. No one is certain if she is going to make it. After a long day at the hospital, the couple comes home. Joan starts a fire and begins to cook them a meal. John gets up from the couch and, just like that, in an instant, he collapses and dies from a massive coronary thrombosis.
“Life changes in the instant. The ordinary instant.”
Joan walks us through her all the disbelief and disillusions she has in trying to cope with the sudden and traumatic passing of her husband in a way that will be all too familiar if you are or have ever dealt with death herself. She calls it the year of magical thinking because it truly took her a year to fully comprehend that her husband was never coming back. Grief is strange and it seems that you’re only able to feel so much at a time for a while because it’s too overwhelming. You logically know that person has passed but you cling to things that don’t make sense anyway. Joan does extensive research about death and grieving to get an idea of what to expect. The information she finds is highly analytical and is an attempt to help make sense of the tragedy she has experienced. This book is not a self-help book that will explain what your feeling or the five stages of grief, but rather a personal story that validates grief along with some analytical research to back it up.
“Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect this shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe their husband is about to return and need his shoes.”
There were however, some aspects I didn’t connect with while reading this book. Joan and her husband were both writers, successful ones at that too, so there are a variety of specific generational and academic references that I didn’t connect with, so I ended up skimming past them. There is also usually large financial stress that often comes with the passing of a spouse that can compound grief further that either wasn’t discussed in this story or wasn’t an issue for Joan and her family. Perhaps it was a topic that didn’t suit the overall tone of this story.
I took a lot from Joan’s story and I appreciate the efforts she took to explain and detail her grief so that others in her position can feel a little less alone. I would absolutely recommend this book to anyone grieving, no matter what the loss.