A Wild Sheep Chase by Haruki Murakami

You finally get the back story on the elusive Sheepman.

4/5 stars.
ebook, 300 pages.
Read from April 20, 2020 to May 5 2020.

You finally get the back story on the elusive Sheepman in this book. Despite being a major focal point throughout the whole Rat series, little was known about him and he made few appearances through the series. The Sheepman even turns up in a book outside of the series in another one of Murakami’s works outside of this series but was published around the same time, The Strange Library, in a connection I have yet to determine.

If you’ve not read Murakami or a book in this series before you may be wondering how the heck a Sheepman fits into any story, even an absurdist reality as this one, well, it does. Strange, yes but that’s what Murakami does best.

Here’s an image of the Sheepman directly from the 1989 version of A Wild Sheep Chase.

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Why a sheep? I honestly couldn’t say but the title of this book is quite literal as the main unnamed male protagonist is blackmailed by a strange man representing a company that threatens him with losing everything if he doesn’t go and find this sheep that is in a photograph he published with his advertising company. The image, which he received from the Rat, his friend that disappeared a few years back and is detailed in the two previous books in this series, Hear the Wind Sing (The Rat #1) and Pinball 1973 (The Rat #2), is somehow tied to all of of this. On his search, much to his surprise, the protagonist finds others along the way who are obsessed with the concept of this Sheepman as well.  In the midst of all of this, the main character is going through the process of a divorce with his wife and meets a call girl with a strange allure. By all appearances she is very average, that is until you get a glimpse of her irresistible ears. While the story of his girlfriend trails off in this novel, it resumes in the fourth and final instalment of his series Dance Dance DanceDoes the protagonist find this Sheepman? And what will happen when he does find him? What will it all mean for him in the end?

Superior to the first two novels of the series, this story was by far more interesting and captivating. I really didn’t care much for the first two books, if I’m honest, but this one reads well and lends itself well to the final instalment of the series as well. I’d say this book is my favourite of the four because as a reader, you’re more connected to the protagonist in this story and you start to see the full spectrum of the story with the Rat the protagonist and the coming of age story that it really becomes. This novel, in a way, is like a peculiar vision quest that the protagonist takes with all the people he meets along the way playing a part in its conclusion and shaping who he becomes.

The Rat series is not one I would recommend a newbie of Murakami to. The first two books are some of the first he ever published and I feel he really comes into his craft a little later. For Murakami lovers, however, I feel that this an essential series to read to really get a feel for Murakami’s writing style and progress. The protagonist feels familiar because many of the other books Murakami write have similar characteristics to the one in this series, whether that’s with age, being a divorcee, and other personality traits and similarities. I feel that this series was likely the first one to establish this character that we, as Murakami readers, have come to love.

Ulysses by James Joyce

“To learn one must be humble. But life is the great teacher.”

Read from March 21, 2018 – June 22, 2018 and DNF
Read/Listened – Restarted from the beginning on November 6, 2018 and finished Oct 28, 2019.

Ulysses isn’t a book that shouldn’t be reviewed and rated. This is a novel that needs to be absorbed and taken in slowly and then discussed for its insights and absurdity. It is an accomplishment to finish this complex and behemoth of a novel. It’s too much, of well, everything. There is so much to comprehend about this book that would likely take a PhD speciality to truly appreciate. Does that mean this book was entirely enjoyable for its near 1000 pages? Nope. Was it still worth reading? Absolutely.

When I first attempted to read this novel I approached it like any other novel and got a physical copy to read. While enjoyed sections of the book this way I found myself easily distracted from the book and couldn’t stay focused and ended up stopping a quarter of the way in. I was determined to read this novel so I thought I would try an audio accompaniment while also reading it physically. This was a strange step for me as I don’t really do audiobooks but it, however, proved to be key in finishing the novel. Not only did I enjoy more of the book but I also retained more.

On top of that, I also looked up summaries of each section before listening/reading it so that I could have a better understanding of the references, metaphors, and meaning behind some of the most difficult areas of the book. Doing this deepened my appreciation for the writing as well as my enjoyment.

While it took me over a year to finish this novel, I feel that it how it is is meant to be read as there is just too much to take and in and consider if not taken in methodically.

For those that would like to try my approach you can get audio and e-versions of Ulysses completely free from these websites:

  • Librivox – Two different audio versions. I would recommend the second.
  • Gutenberg.org – A variety of PDF and Ebook downloads

Librivox is amazing. The whole book has been read by volunteers from all of over the world and while some sections read better than others, it’s still wonderful that this resource exists and would strongly recommend that you check them out for other great recordings if you like audiobooks.

All and all, I’m proud I busted through this classic piece of literature and stand on my position on not rating it. I am curious about other people’s experiences reading this book, like how did you manage to finish it? Did you enjoy it? Or has gone to your DNF shelf? Shoot me a comment below!

Suzanne by Anaïs Barbeau-Lavalette

A creative memoir on the presumed life of an absent mother.

4/5 stars.
ebook, 265 pages.
Read from February 28, 2019 to March 1, 2019.

Anaïs never knew her mother’s mother, Susanne, nor did her mother, really. After her grandmother’s passing Anaïs hired a private detective to get the details on why her grandmother was such a fleeting presence in her family’s life. Short-listed for Canada Reads 2019, this is a creative memoir taken from the facts gathered by the private detective in an attempt to piece together the life a woman who abandoned her two young children and caused a void in her family that is felt for generations. The book will be defended by Yanic Truesdale during the Canada Reads 2019 debates at the end of March.

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Yanic Truesdale will be defending Suzanne by Anaïs Barbeau-Lavalette during the debates taking place on March 25-29, 2019.

Susanne was originally written in French under the title, La femme qui fuit (The Woman Who Ran Away) and has been beautifully translated into English by Rhonda Mullins. Bravo to Rhonda who has managed to capture the poetic prose of this story in translation.

Susanne is successfully written in the second person and reads like an elegant poem of yearning as Anaïs envisions her grandmother throughout the different stages of her life. The book is far from accusatory and it reads like a real memoir in many aspects. The yearning is for forgiveness, understanding, and for the answer to the one question that neither the author or her mother get an answer to, why did Susanne leave?

Susanne led a tumultuous and intriguing life that included the great depression, political and art revolutions, alcoholism, homelessness, asylums and more. Even with the details unearthed from Susanne’s life, the author can still only speculate as to what drove her to her decisions and imagine how she might have felt in different parts of her life. Why did Susanne decide to abandon her two children, one of whom is Anaïs’ mother, after giving them such tender care for a few years? And then show up at Anaïs’ birth and a few small moments in her mother’s life? Guilt? Remorse? Forced responsibility? As Anaïs speculates, Susanne may have lived with guilt but ultimately may not have been able to face the choices she made, to which, Anaïs forgives her.

What’s the most moving about this book is the wonderful poetic prose which makes for a highly readable book that is easy to connect with. Anaïs is an immensely talented writer whose writing it literary and stimulating while also being highly accessible. I truly enjoyed this novel and felt entwined with Susanne’s gripping story, even if it is only through the speculative hope of her granddaughter.

This engrossing story is going to give the other contender’s in the Canada Reads 2019 debate a run for their money and I am looking forward to hearing how it is received.