“The land claims what you leave behind.”
ebook, 279 pages.
Read from November 10, 2020 to November 16, 2020.
This book was the first book I read as part of a book club that I recently joined and let me tell you, it is so great to be a part of a real and live person book club again. To hang around fellow book nerds, consume copious amounts of beer, and talk about books that you may never have come across otherwise. It really is the best.
This book is the start of an emergence of a new genre of books that is a horror-based fiction that is set within Native American folklore and tales. The story blends the whimsical nature of the oral stories from the Native tradition with a classic slasher and psychological horror feel, that also becomes a modern social commentary on Native Americans today.
Set in a small town in the modern-day United States, four Native American men share an experience from their youth that has begun to come back to haunt them. They broke sacred hunting rules and now, ten years after the event, an elk entity is hellbent on revenge for the lives that they should not have taken. The opening death scene of one of the men sets the horrifying precedence of the book in terms of horror as well as the enduring racism and cultural and identity struggles that they all face. As the story progresses, you get to hear the voice of this entity and the stories intertwined with it, especially as it continues to successfully exact its vengeance.
I’ll admit, I didn’t enjoy this book after initially finishing it. It has an amazing concept and presence but I found the writing style really jostling. Its approach was just not for me. As the book draws nearer to the end, the story becomes very strange, and at times, hard to follow as you become more intertwined in the narrative of the entity. This style of writing made a lot of sections of this book a slog and hard to get through. When I first finished this story, I gave it a 2-star rating but after I had my book club meeting I changed my rating to 3 stars as the book created such amazing discussions, even though many of my fellow book club members struggled with this book like I did, we all came to appreciate the depth of this book after discussing it. This book is meant to make you uncomfortable. It’s supposed to make you feel as helpless as the characters in the story as you acknowledge the physical horror that occurs but also the social horrors that they face and that many Native Americans still face.
Would I read this book again? No, but I’m glad that it exists and that I read it. I would love to read more books that are similar to this one that intertwines the Native American experience with horror. There is actually a Netflix movie called “Hold the Dark” that reminded me a lot of this book as it follows a similar pretence.
“Almost everyone has an inborn need to create; in most people this is thwarted and forgotten, and the drive is pushed into other activities that are less threatening, less difficult, and less rewarding. In some people, that need to create is transmuted into the need to destroy.”
ebook, 145 pages.
March 10, 2019 to March 11, 2019.
This book is one of those delightful Goodreads finds. A reviewer I follow gushed about how brilliant this book is and after reading the description I was hooked.
A horror writer is staying in a remote cabin in the French Alps to finish a book he is struggling to write. The author is drawn to the classic horror novel, Frankenstein, but not because he enjoys the book, in fact, he despises it. As the narrator draws his own conclusions about the horror genre in an attempt to write his own book he discusses the weak points of Frankenstein, details of the author, Mary Shelley’s history and life, all the while making philosophical remarks about how we create our own monsters along with the nuances of the reading and writing processes.
“Orwell’s vision of our terrible future was that world– the world in which books are banned or burned. Yet it is not the most terrifying world I can think of. I think instead of Huxley– …I think of his Brave New World. His vision was the more terrible, especially because now it appears to be rapidly coming true, whereas the world of 1984 did not. What’s Huxley’s horrific vision? It is a world where there is no need for books to be banned, because no one can be bothered to read one.”
As the story progresses the narrator begins to be visited by ghosts, first by Mary Shelley herself and then by the characters in her book. As the narrator navigates this dreamlike horror, he realizes that he is going to have to face the monster of Shelley’s creation and of his own.
This short novel leaves the reader wondering what actually happens to the narrator and how much of this tense story is real or metaphorical. The writing is smart, highly creative and very well paced making for an engaging read. The story reads like a diary or an essay that focuses on the unique writing process of a horror story, the act of creation itself, and of course, our own personal monsters. I particularly enjoyed the author’s comments on the creative process and how he looks at writing in general as they’re bookmark worthy spots if you need help breaking up a writer’s block.
“The binary colour of words on a page give the sense of simplicity and clarity. But life doesn’t work like that. And neither should a good story. A good story ought to leave a little grey behind, I think.”
This book may not be for everyone however as its approach and topics are slightly unusual. The story is a quick read so its a good candidate if you’re looking to catch up on your reading goal or even if you’re looking for something exceptionally different than your usual reads. If you love horror, are familiar with the author, or are a writer yourself, you may find this book is perfect for you.