“The eye identifies itself not with the body it belongs to but with the object of its attention.”
Paperback, 144 pages.
Read on December 25, 2018.
I knew nothing about the author or the book prior to reading it, and I still, know relatively little about this Nobel Prize winner. Apparently, Brodsky is a kind of a big deal. Literature-nerd fail? Joseph Brodsky was a Russian-American writer who won the Nobel Prize for Literature in 1987. He also became the United States Poet Laureate in 1991. He was practically expelled from the Soviet Union in 1972 and ended up immigrating to the US where he lived to the age of 55 before dying of a heart attack in the winter of 1996. While living in the US, however, he spent that majority of his winters in Venice, Italy.
This short novel is a semi-autobiographical love story/essay/poem about Venice. It has poetical prose and paints vivid details of the author’s perception of the city’s character. Did this book make me fall in love with a city I have yet to visit? No, it’s more of a personal reflection of each of the different visits that the author took so it provides more insight into the author’s mind more than anything. While Joseph’s writing didn’t speak to me, he is a gifted writer and I am intrigued enough to see what else he has written. Besides, it appears he liked cats so that’s a good enough reason for me to give him another shot.
The debates generally went how I thought they would but there were a few surprises.
Ziya Tong, defending Max Eisen’s By Chance Alone, beat out Chuck Comeau defending Homes, to win this year’s Canada Reads! Both of these books are amazing in their own right and both stories deserved to win but I am thrilled with this decision. I was really impressed with the debates this year too especially from Ziya as it was her great debating that cinched the win between these two amazing stories.
Homes has nothing to be ashamed of and the authors of the book should be immensely proud of their accomplishments in getting this far and in sharing such a brave and amazing story. If you don’t know the backstory on Homes, you have got to read-up on it.
The debates generally went how I thought they would with the voting, though I was surprised that The Woo-Woowas voted off in the first round as I expected it to at least make it to the second. I thought that Susannewould be voted off first. Nothing against Susanne as it was the most beautifully written out of all the books this year but it didn’t match the theme as well as the others. The Woo Woo was a personal favourite of mine but so was By Chance Alone and it was very tough for me to rank them beside each other. I actually really enjoyed all the books this year nearly equally, with my least favourite being Brother. It wasn’t that I didn’t enjoy Brother, it just didn’t stack-up as well compared to the other four.
It was a good Canada Reads year, with book selection and debates, and I hope to see more quality like this again next year!
Can we talk about how gorgeous the cover art is for this book? Made me want to read this book even more.
ebook, 256 pages.
Read from March 12, 2019 to March 20, 2019.
Ocarina of Time was it for me, the magical game that got me hooked on gaming forever. It’s a game that I still play to this day and the reason I will never part with my trusty N64 console or my 3DS. I’ve gone on to play a large portion of the Legend of Zelda series since Ocarina of Time and these games have forever become a part of who I am. Each game has marked different moments in my life while also helping to keep my imagination alive and provide a safe space for me to relax. It’s a reliable world that I can always lose myself in no matter what’s going on. Many fans of the series feel the same so it’s no surprise that there would be interesting psychology behind this beloved series.
I saw this book being promoted on one of the Zelda fan pages I follow on Facebook and was immediately captivated by the cover art. It’s absolutely stunning. Having always wanted to dive into the psychology of this game and explore my own intense interests in the game, I made a frantic search and request for this book on Netgalley.
This book is a collection of essays by psychologists and similar professionals who also have a passion and academic interesting in video gaming. Each essay broaches a different topic in the game. From the analysis of Link’s hero archetype, the reason why Link never speaks a word, the role of the notorious Dark Link, the structure of the music in the game and how it affects gamers, and the changing role of Zelda over the years, to themes of grief and depression present in Majora’s Mask, this collaboration of essays touches every aspect of the game despite its short length.
The essays are quite academic in nature but I wasn’t expecting anything less, though it seems some readers were a bit put off by this. I think it would have been disappointing if the essays didn’t have enough factual references. I particularly enjoyed the section on Majora’s Mask and the different stages of grief. This one essay alone stands out and is worth getting this book for this essay alone. Majora’s Mask was and still is unique from the rest of the Zelda games for its approach to these darker themes and the fact that it is the only game that has been made as a direct sequel (Ocarina of Time). There are some repetitive facts in relation to Carl Jung as he is discussed in at least 2 or 3 different essays. There is also some repetition with the game quote selection used in the essays as well.
You don’t need to be a psychology major to appreciate this book as the analysis is laid out in a straight-forward and easy to understand manner. Overall this was a quality read and if you love Zelda and are interested in an academic analysis of the games and their themes this is a worthwhile little read.