The Psychology of Zelda by Anthony Bean

Can we talk about how gorgeous the cover art is for this book? Made me want to read this book even more.

4/5 stars.
ebook, 256 pages.
Read from March 12, 2019 to March 20, 2019.

Ocarina of Time was it for me, the magical game that got me hooked on gaming forever. It’s a game that I still play to this day and the reason I will never part with my trusty N64 console or my 3DS. I’ve gone on to play a large portion of the Legend of Zelda series since Ocarina of Time and these games have forever become a part of who I am. Each game has marked different moments in my life while also helping to keep my imagination alive and provide a safe space for me to relax. It’s a reliable world that I can always lose myself in no matter what’s going on. Many fans of the series feel the same so it’s no surprise that there would be interesting psychology behind this beloved series.

legend-zelda-breath-wild-gold
Breath of the Wild, Released March 2017

I saw this book being promoted on one of the Zelda fan pages I follow on Facebook and was immediately captivated by the cover art. It’s absolutely stunning. Having always wanted to dive into the psychology of this game and explore my own intense interests in the game, I made a frantic search and request for this book on Netgalley.

This book is a collection of essays by psychologists and similar professionals who also have a passion and academic interesting in video gaming. Each essay broaches a different topic in the game. From the analysis of Link’s hero archetype, the reason why Link never speaks a word, the role of the notorious Dark Link, the structure of the music in the game and how it affects gamers, and the changing role of Zelda over the years, to themes of grief and depression present in Majora’s Mask, this collaboration of essays touches every aspect of the game despite its short length.

The essays are quite academic in nature but I wasn’t expecting anything less, though it seems some readers were a bit put off by this. I think it would have been disappointing if the essays didn’t have enough factual references. I particularly enjoyed the section on Majora’s Mask and the different stages of grief. This one essay alone stands out and is worth getting this book for this essay alone. Majora’s Mask was and still is unique from the rest of the Zelda games for its approach to these darker themes and the fact that it is the only game that has been made as a direct sequel (Ocarina of Time). There are some repetitive facts in relation to Carl Jung as he is discussed in at least 2 or 3 different essays. There is also some repetition with the game quote selection used in the essays as well.

You don’t need to be a psychology major to appreciate this book as the analysis is laid out in a straight-forward and easy to understand manner. Overall this was a quality read and if you love Zelda and are interested in an academic analysis of the games and their themes this is a worthwhile little read.

The Woo-Woo by Lindsay Wong

This is a trainwreck of an upbringing that you can’t help but sympathize with, as you berate yourself for laughing at the strangeness of it all.

4/5 stars.
ebook, 304 pages.
Read from March 3, 2019 to March 9, 2019.

Lindsay Wong describes the Woo-Woo as a Chinese superstition that ghosts are the cause of bad things in your life, which unfortunately for her and mental-health-ridden family, meant an array of irrational behaviour followed by never seeking treatment. This book is in the Canada Reads 2019 shortlist after a few near misses in previous years so no doubt this book will be a fan favourite for the debates.

canada-reads-2019-joe-zee-defends-the-woo-woo
Joe Zee defending The Woo-Woo by Lindsay Wong during the debates taking place on March 25-28, 2019.

Lindsay and her siblings are first generation Chinese-Canadians. Her family came over from Hong Kong and settled in Vancouver which has a large Chinese population giving the city the appropriate nickname of Hongcouver. She lives in an upper-middle-class neighbourhood with her mother father, brother and sister, and for a short time her grandmother. Lindsay basis of daily dealings with her family and her life included things like swearing, name-calling, bribes with money, escaping life decisions and people with makeshift camping trips, and smothering bad feelings and “ghosts” with junk-food. Shouting matches, arguments, grudges and personal hang-ups are what Lindsay thought being a family was all about.

Despite her family having a comfortable income Lindsay wore old, dated clothes and showered once a week. Lindsay lacked the social skills to make friends but her aggression made her an excellent hockey player, an endeavour her father bribed her into to achieve some sort of Canadian-dream status.  Her father insisted that she was extremely stupid and fat as some messed up means of motivating her to achieve more along with a sick sense of dark humour. While her mother fell prey to the mental illness that plagued her own mother resulting in her being obsessed with ghosts and trying to protect her family from them. Her protection came in the form of insisting that her family never show any emotion as to not invite the ghosts in, terrorizing midnight wakings, lighting Lindsay’s feet and bedding on fire, day-long walks in shopping malls, and more.

Lindsay grew up in fear the Woo-Woo as she saw it slowly wreck her grandmother, her mother and eventually even her Aunt, whom she thought was safe. Without the means to empathize and deal with normal human situations in a healthy manner, Lindsay was in constant worry about her own mental state. Despite all this Lindsay managed to get into a university far from home where she was relieved to finally escape her family, only to find that the Woo-Woo seemed to have followed her there.

Even with these enormous hurdles to overcome, Lindsay seems to have found peace and understanding with her upbringing. Despite the dark and sometimes traumatizing events that Lindsay endured she approaches her story with a stoic and entertaining sense of dark humour. This is a trainwreck of an upbringing that you can’t help but sympathize with, as you berate yourself for laughing at the strangeness of it all. It brings awareness to the stigmas around mental illness and the barriers we still have to overcome, especially culturally, which healthcare systems could benefit from learning more about.

If you live in Vancouver, I would absolutely say this is a must-read. This is also a relevant book for those looking from some reprieve from their own families and mental health struggles.

The most moving part of this story comes from Lindsay finding the courage to write such an intimate memoir about her family, especially since she is writing from a standpoint of success in battling her inner Woo-Woo and family troubles. It’s a testament to the power of healing yourself and finding faith in yourself against the odds.

 

 

Suzanne by Anaïs Barbeau-Lavalette

A creative memoir on the presumed life of an absent mother.

4/5 stars.
ebook, 265 pages.
Read from February 28, 2019 to March 1, 2019.

Anaïs never knew her mother’s mother, Susanne, nor did her mother, really. After her grandmother’s passing Anaïs hired a private detective to get the details on why her grandmother was such a fleeting presence in her family’s life. Short-listed for Canada Reads 2019, this is a creative memoir taken from the facts gathered by the private detective in an attempt to piece together the life a woman who abandoned her two young children and caused a void in her family that is felt for generations. The book will be defended by Yanic Truesdale during the Canada Reads 2019 debates at the end of March.

canada-reads-2019-yanic-truesdale
Yanic Truesdale will be defending Suzanne by Anaïs Barbeau-Lavalette during the debates taking place on March 25-29, 2019.

Susanne was originally written in French under the title, La femme qui fuit (The Woman Who Ran Away) and has been beautifully translated into English by Rhonda Mullins. Bravo to Rhonda who has managed to capture the poetic prose of this story in translation.

Susanne is successfully written in the second person and reads like an elegant poem of yearning as Anaïs envisions her grandmother throughout the different stages of her life. The book is far from accusatory and it reads like a real memoir in many aspects. The yearning is for forgiveness, understanding, and for the answer to the one question that neither the author or her mother get an answer to, why did Susanne leave?

Susanne led a tumultuous and intriguing life that included the great depression, political and art revolutions, alcoholism, homelessness, asylums and more. Even with the details unearthed from Susanne’s life, the author can still only speculate as to what drove her to her decisions and imagine how she might have felt in different parts of her life. Why did Susanne decide to abandon her two children, one of whom is Anaïs’ mother, after giving them such tender care for a few years? And then show up at Anaïs’ birth and a few small moments in her mother’s life? Guilt? Remorse? Forced responsibility? As Anaïs speculates, Susanne may have lived with guilt but ultimately may not have been able to face the choices she made, to which, Anaïs forgives her.

What’s the most moving about this book is the wonderful poetic prose which makes for a highly readable book that is easy to connect with. Anaïs is an immensely talented writer whose writing it literary and stimulating while also being highly accessible. I truly enjoyed this novel and felt entwined with Susanne’s gripping story, even if it is only through the speculative hope of her granddaughter.

This engrossing story is going to give the other contender’s in the Canada Reads 2019 debate a run for their money and I am looking forward to hearing how it is received.