“Newfoundland where it is perpetually almost summer until it is almost winter again.”
ebook, 539 pages.
Read from February 28, 2020 to March 18, 2020
I’ve been a bad reader lately and have found myself behind on my books. I’ve finally finished what is number four out of five of the Canada Reads 2020 finalists. The debates themselves have been postponed so I have some time to catch up at least. Alayna Fender will be defending this novel when the debates resume.
Following a first-person narrative rotation of Newfoundland locals, Small Game Hunting at the Local Coward Gun Club highlights what it’s like to work and live within the small province. Needless to say, it doesn’t paint a happy picture. All the characters know each other and the quick-paced narrative jumps from one character to another while depicting intimate scenes from all their unique perspectives. To highlight a few of the characters: Iris, a self-sabotaging waitress, loves John but he is married. John works with Iris and thinks only of himself and won’t end their affair despite the pending consequences and damage its causing Iris. Georgina is married to John, she was looking for something completely different after the heartbreak of her last partner. Olive is Iris’ roommate who is barely holding on after experiencing severe sexual trauma. Damien, who also works with Iris and John, is suffering from a broken heart after Tom left him and can’t stop drinking and doing drugs. Each character is bound with these similarities, that they grew up in poverty in a small and socially confined bay of Newfoundland.
“No one says it is okay to feel hurt. No one says anything. Everyone just goes on living. We all go on living until we lose more of each other. And then we are made lesser.”
I have to say, I think the current atmosphere has affected my feelings on this novel. The characters are great and so is the writing but it isn’t what you’d call a happy story. In fact, it’s very dreary and the world feels a bit too dreary right now due to the Covid-19 virus. I’m sure that this has played a factor into me not rating this novel higher as I did really appreciate the writing style and concept. This book also isn’t for everyone. The characters ooze with inescapable sadness and desperation. There are also many triggers for those that have suffered from sexual assault within the book. While it’s brought about tastefully and while highlighting the culture that perpetuates it, the content is still graphic. Interestingly, the author highlights both sides of the one major assault that takes place in the novel.
What I liked the most about this novel was how nicely it laid out some of the aspects of rape culture and the thought process behind it. The inner worthlessness and lack of control felt by the female characters and the confusion of the male characters who in the patriarchial workings of entitlement, poverty, and suffering in a small town were never taught to understand or empathise. What’s more, is that I could relate to some of the inner conversations that some of the female characters had with themselves with the endless people-pleasing and being trapped in that cycle of never feeling good enough constantly weighing them down.
I do wish I had read this book at a different time but who is to say that my rating of the book would change. Is this the one book to bring Canada into focus? Perhaps. It gives a voice to those that struggle to live out in the beautiful East coast. It’s not easy to make a living out there. The book also discusses rape culture, drug and alcohol abuse, and the treatment of people who are of mixed ethnicities, all of which are prevalent issues facing Canadians. We will have to see how this one stands up in the debates.
Due to the rising concerns on the COVID-19 virus, Canada Reads 2020 has been cancelled.
Due to the rising concerns on the COVID-19 virus, Canada Reads 2020 has been cancelled. While I’m happy to have more time finish the books I am also surprised. I think the debates could have easily gone forward without a live audience but maybe it’s the debaters themselves as they might have some travel history that would require self-quarantine during the time of the debates. There is no word on when the debates will resume.
Things here in Hong Kong are starting to calm as the virus here passed. Toilet paper, sanitiser and cleaning supplies are in ample stock here again. Now the rest of the world is going through the same panic. Hong Kong measures, based on past experiences with SARS, have proved effective in keeping numbers of the virus down to a minimum. I used to scoff at the idea of wearing a face mask but with literally everyone in Hong Kong wearing them and generally keeping to themselves with proper hand hygiene we’ve managed to keep our germs to ourselves.
Stay vigilant and healthy!
“Unfortunately, the clock is ticking, the hours are going by. The past increases, the future recedes. Possibilities decreasing, regrets mounting.”
ebook, 362 pages.
Read from December 29, 2019 to December 30, 2019.
Dammit, dammit, dammit. I have read this series out of order. I thought this was number three in The Rat series but it turns out it’s the fourth. While I wasn’t a big fan of Pinball or Hear The Wind Sing I like to read everything that Murakami has to offer and this book was an improvement on the previous two. Apparently, the third book of the four is actually A Wild Sheep Chase which I’m still on the waiting list for at the library.
The unnamed protagonist of this story, after waking from a dream, suddenly feels beckoned to return to the seedy Dolphin Hotel where he once stayed with a woman he cared about in his past, a call-girl named Kiki. His writing gig allows him a lot of flexibility so he decides he is going to book in for a few nights. He discovers that the hotel itself has been demolished and a new one has been built on top of it yet it still retains the same name. While at the hotel he tries to enquire about the previous owner but the staff all try to avoid his questions. He has dreams about a sheep man and Kiki being murdered by one of his old classmates that has become a famous actor. Along the way, the protagonist gets friendly with one of the hotel staff members in which she speaks of getting trapped in the darkness after coming out of the elevator on floor seventeen and be terrified after coming in contact with a presence there. The protagonist also helps out a teen girl who gets left behind at the hotel by her whose absent mother, a famous artist who gets wrapped up in her work. The interlinking of all of these lives and strange occurrences all lead back to the Sheep Man, presumably the figure on floor seventeen of the Dolphin Hotel.
How much of this story was in the mind of the protagonist? How much of it was actually real for him? These are answers that are left for the reader to determine. The book seems to focus on the protagonists’ issues in connecting with people and of course with those that he has lost as a result of it. Like most Murakami books, nothing ends or is wrapped up nicely for you. Again though, I think that is one of the strange major appeals for me with Murakami. Did I fully grasp the story and what and why everything happened? Nope. But I still enjoyed the journey. There was a serious lack of cats in this story, which, was disappointing. There are just somethings you come to expect when you read Murakami! Cats are one of them.
While I suppose it’s not essential to read this series in order, the characters do repeat and somewhat develop even if the storyline seems confusing. If you’re a first time Murakami reader, I would not start with this book or this series for that matter. Stick with the Colorless Tsukuru Tazaki and His Years of Pilgrimage or The Wind-Up Bird Chronicle.