ebook, 272 pages.
Read from October 20, 2020 to October 22, 2020.
I read Jonathan Strange & Mr Norrell in 2010, more than 10 years ago. While I remember next to nothing about the book I must have enjoyed it enough to show interest in this new book by the same author. Now that I have read Piranesi and having added a few more years of age (maybe some wisdom in there too), I would probably enjoy re-reading Jonathan Strange & Mr Norrell again. With more than 15 years between the publications of these two books, here is hoping we don’t have to wait that long for another book by this great author.
Piranesi is a curious man living within an even more curious home he calls The House. Its rooms and corridors are infinite and surrounded by oceans with its water that flood and fill rooms with ebbing and flowing with the tides. The rooms are decorated with stunning pieces of art and sculptures as well as ocean wildlife like birds and fish. Piranesi spends his time mapping this labyrinth that he lives in and living off the meagre resources it provides him. There are others in the House but the majority of them are dead in which Piranesi honours their rotting bodies and speculates how they came to be here and their previous existence. He doesn’t get lonely though as there is The Other, a man that comes and goes, talks to him frequently while he carries out his Great and Secret Knowledge research that he is obsessed with. Piranesi never questions his existence or the strange world he lives in until a newcomer, he calls 16, since they are the sixteenth person to come to the House (including the dead) but is warned by The Other to avoid this person at all costs. Piranesi’s inexpiable trust in The Other begins to wane as he begins to communicate with 16 through secret messages. 16 is trying to locate a person he doesn’t know and is inquiring about the bodies with The House. Piranesi begins to wonder if The Other is his friend at all and about his existence within The House, as well as the presence and life of a world outside of The House.
What a concept and plot! There were so many ways this book could have gone wrong since. From the historical references to the abstract concept and world within the book. To truly appreciate the genius of the book you need to know who Giovanni Battista Piranesi is. Piranesi lived in the 1700s and was a respected etcher, painter and architect. He is most known for his series of prints called ‘Carceri d’invenzione‘ or ‘Imaginary Prison‘. The series shows a whimsical labyrinth of underground rooms, stairs, art, and machinery.
This art as well as the artist is the inspiration and metaphor for The House Clarke’s story. When Piranesi’ world begins to unravel is when you start to fully grasp just how crazy this story is. The concept of this story could have easily gone wrong if it were in the hands of any other writer but Clarke executed it perfectly. The story is engaging and whimsical but grounded enough even for those who may not be as interested in fantasy. Having never seen the real ‘Imaginary Prison‘ etches prior to reading this book, Clarke’s imagery and descriptions of The House provided me with the intimate detail and feel of the real etchings. The world that Clarke creates is immensely visceral and as a reader, you come to feel at home in The House, especially because Piranesi’s character is so endearing.
I adored this book and was dismayed at its short length. Even with its historical reference, it wasn’t a requirement to enjoy this story though it adds an immense amount of depth to the story. It’s a book I would reread and would recommend to anyone who enjoys historical fiction or fantasy.
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