4/5 stars.
ebook, 300 pages.
Read from April 20, 2020 to May 5 2020.
You finally get the back story on the elusive Sheepman in this book. Despite being a major focal point throughout the whole Rat series, little was known about him and he made few appearances through the series. The Sheepman even turns up in a book outside of the series in another one of Murakami’s works outside of this series but was published around the same time, The Strange Library, in a connection I have yet to determine.
If you’ve not read Murakami or a book in this series before you may be wondering how the heck a Sheepman fits into any story, even an absurdist reality as this one, well, it does. Strange, yes but that’s what Murakami does best.
Here’s an image of the Sheepman directly from the 1989 version of A Wild Sheep Chase.
Why a sheep? I honestly couldn’t say but the title of this book is quite literal as the main unnamed male protagonist is blackmailed by a strange man representing a company that threatens him with losing everything if he doesn’t go and find this sheep that is in a photograph he published with his advertising company. The image, which he received from the Rat, his friend that disappeared a few years back and is detailed in the two previous books in this series, Hear the Wind Sing (The Rat #1) and Pinball 1973 (The Rat #2), is somehow tied to all of of this. On his search, much to his surprise, the protagonist finds others along the way who are obsessed with the concept of this Sheepman as well. In the midst of all of this, the main character is going through the process of a divorce with his wife and meets a call girl with a strange allure. By all appearances she is very average, that is until you get a glimpse of her irresistible ears. While the story of his girlfriend trails off in this novel, it resumes in the fourth and final instalment of his series Dance Dance Dance. Does the protagonist find this Sheepman? And what will happen when he does find him? What will it all mean for him in the end?
Superior to the first two novels of the series, this story was by far more interesting and captivating. I really didn’t care much for the first two books, if I’m honest, but this one reads well and lends itself well to the final instalment of the series as well. I’d say this book is my favourite of the four because as a reader, you’re more connected to the protagonist in this story and you start to see the full spectrum of the story with the Rat the protagonist and the coming of age story that it really becomes. This novel, in a way, is like a peculiar vision quest that the protagonist takes with all the people he meets along the way playing a part in its conclusion and shaping who he becomes.
The Rat series is not one I would recommend a newbie of Murakami to. The first two books are some of the first he ever published and I feel he really comes into his craft a little later. For Murakami lovers, however, I feel that this an essential series to read to really get a feel for Murakami’s writing style and progress. The protagonist feels familiar because many of the other books Murakami write have similar characteristics to the one in this series, whether that’s with age, being a divorcee, and other personality traits and similarities. I feel that this series was likely the first one to establish this character that we, as Murakami readers, have come to love.
The Pluviophile Writer 
I think I read all these books bar one – but didn’t realise they were part of same story. Must have read them years apart. Enjoyed this title a lot when I read it though.
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